Travel photography

Since I was very young, I have always loved the concept of taking a photo. Being able to capture a moment in time just enthrals me. I will show my age now by saying that I remember taking my films into ‘Boots’ (a UK high street chain) or sending them off to TruPrint (a mail-order company) and waiting 2 weeks for them to be processed and sent back. Yes, I admit I was a child born into the pre-digital photography world. Thinking back now I have no idea how we dealt with it – we were literally photographing blind with no concept of how that image would come out.

When I travelled the world in 2007 (the digital age), I took a Sony Cybershot, and captured everything I could, while making sure I also experienced it. I downloaded the images to a separate hard drive for back up. Six months into my adventures I got sand in my camera and it couldn’t be salvaged, eight months into my adventures the hard drive I had captured the originals on decided to die! I was furious! Apart from the images I downloaded online, I had lost the best year of my life’s photos. I swore never to have that issue ever again! I invested in a Panasonic capture camera for the rest of my trip but it always felt a little lacking.


(Beijing – Taken with the Cyber shot)


(Milford Sound – Taken with the Panasonic)

Upon my return from travelling, I investigated the world of DSLR’s in more depth, having seen a few travellers with them while abroad. I researched and researched and after working for a photographic company, I took the plunge and bought a second hand Canon 350d. It was AMAZING! I got hooked and soon bought a number of additional lenses to add to my kit lens (55-250mm Canon, 18-55mm and even a wide angle 10-20mm sigma).


I travelled extensively with this camera, to Thailand, Tobago, Venezuela and Africa, I loved it. Not only was it robust but it captured an image better than any previous. I did however find that I took more care of this beast, as it was an investment and the longer I owned it the better the results came (no more sand issues for me!) Working with qualified Photo Technicians, I was complimented for my use of light, the contrast and the framing of my images. It hooked me even further, and the more I used the camera, the more I found that it was lacking in ability at night, at speed and in the extreme environments such as the cold, it simply wasn’t working as well as I wanted it to. I have to admit I also got a little jealous that everyone I met who was into photography had a newer version of my trusted 350d.


So when we booked our next around the world trip, I made the jump from the entry level to the more advanced body – the Canon 50d (an inexpensive alternative as the 60d had just been launched). This allowed me to use the lens set I already had but a more advanced range of ISO, focal depth and resolution.


My trusted 50d came with us to 4 continents and took incredibly sharp and colourful imagery, it was definitely the correct investment at that time. It captured the trip beautifully, and gave me such a buzz every time I removed it from my luggage. The only problem was the weight! Anyone who carried one of these cameras around the world can attest to the fact – they are not a light way of travelling. However the results in comparison to our Coolpix snap camera were certainly dramatic.


I stayed with my 50d for a number of years as was thrilled with the results, however as any photographer will attest to, we always want a bit more. Africa was the turning point whereby the images I could capture were good but without the true telescopic lens and the ultra-night features they could have been better. The rhino that was just that tad too far away, that bird that was coloured so dramatically and that landscape that was so huge it couldn’t all be captured. I was missing that real deep memory.

So, after saving for a long while and using every trick in the book I sold my 50d with four lenses and upgraded to a full frame Canon 6d, investing in a 50-500mm Sigma telescopic lens as well as a Professional 18-135mm L lens. The real decider was between the new 6d and the well-respected 5d mark 3. However the Mark 3 was 1.5 x more expensive, and I just couldn’t stretch that far – however much I wanted to. Unfortunately the L lens alone took the majority of my 50d and all lenses capital, and the 500mm lens was astronomically expensive.


We returned to Africa shortly afterwards and I felt fully prepared – the opportunity arose to capture a distance shot of Cheetahs that no one else could. I got it and the investment was completely worth it!



15 thoughts on “Travel photography

  1. I’ve made the journey in reverse, from top of the range with extra lens to a compact system with one extra lens only (seldom used). I was born long before you I think, and remember the first colour prints and the excitement of seeing one’s prints in full colour. If course it wasn’t long before the purists were insisting that B & W was the only way to do photography but I was smitten. I still continued with slides as well for really good photographs and resisted digital for a long time – until the price advantage became too hard to resist. But as I grew less able to carry the weight around I began to realise I’d have to think again about my apparatus. It was the advent of the Compact System that really helped and now my trusty Sony and Panasonic CS cameras go everywhere with me, with just one extra lens. I’m more than satisfied with the results. I carry the extra camera for backup and to save recharging all the time. Extra batteries and an extra camera fit easily into pockets in my ‘camera coat’ so all is well.

    Liked by 1 person

    1. Oh wow very interesting. That is a great story to tell especially being before the fort colour prints… I think my first ever ones were in black and white but it soon moved on. Agree regarding weight it’s always a struggle dap with the telescopic lens and cheap flights that only allow certain weights… it’s very frustrating! I can only take it to the really exceptional places not the cheap flight locations. I still love to learn also so always excited to hear other stories… do you follow a wandering memory?


      1. I am still finding my niche in photography. I really enjoy street-style photography. But have 5 children so don’t get out and about as often as I would like. Hence the amount of portrait and family shots I tend to do. Haha. Thanks for your time, I will follow 🙂

        Liked by 1 person

  2. Great article. It is my dream to travel the world and be a travel photographer.. I don’t know if that is a thing, but that’s what I want to do. Do you have any tips on how I can go in the right direction to achieve my goals?

    Liked by 1 person

    1. Sorry didn’t get to finish that before it sent. I think you need to apply for travel magazines and websites if you want to be full time. Joe Alisa would be another way or freelance where you sell your images or place them on websites like Getty! To do that though you need perfect technique and a very keen eye for the detail in shots. A very expensive full frame camera also helps of course… I am nearly there with the 6d but the 1d and 5d mark 3 are so much better. It is a dream of mine to sell more photos as love taking them!

      Liked by 1 person

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